Launch of "Eastern Heathens", Sat 23 August, 6:30-7:30pm!

Hey guys! Eastern Heathens is FINALLY going into print!

What is it? Well, it's an anthology of stories inspired by Asian folklore - there's realism, fantasy, historical fiction, oriental steampunk, horror, comedy, sex... and I'm one of the editors! Mind you, it's mostly drawn from the inspiration and the sweat of my co-editor Amanda Lee Koe - and from the contributors. (I tried submitting a story, but we agreed it wasn't good enough.)

We sent stuff to the print shop yesterday and we're holding the launch next Saturday, at the Arts House, aka The Old Parliament House. It's part of the Literally 9 festival to celebrate the arts centre's ninth anniversary. Alfian Sa'at, Cyril Wong and newcomer Bryan Cheong should be reading! I'm hosting, methinks.

Venue: Arts House, Living Room
Date: 23 Mar 2013
Event Timing: 6.30-7:30pm
Free admission
Facebook page: https://www.facebook.com/events/442375729179327/?fref=ts

The authors, btw, are:

Bryan Cheong (Singapore)
Hoa Pham (Australia)
Cyril Wong (Singapore)
Jeannine Hall Gailey (USA/Japan)
Alfian Sa'at (Singapore/Malaysia)
Amanda Lee Koe (Singapore)
Jon Gresham (Australia/Singapore)
Anila Angin (Singapore)
Chan Ziqian (Singapore/Poland)
Jennani Durai (Singapore)
Li Huijia (Singapore)
Abha Iyengar (India)
Zeny May Recidoro (Philippines)
Jason Erik Lundberg (USA/Singapore)

Seeya there!

Several Announcements for January!

1. Flying Circus Project!

I'm going to Myanmar from 3 to 15 January, to be part of the Flying Circus Project! Here's the blog I'm maintaining at Weebly.

2. OH! Marina Bay

This means I'm gonna miss Evil Empire's OH!: Open House at Marina Bay, a series of interactive art tours that are happening this weekend and next weekend - that's 5, 6, 12, 13 Jan - at Marina Bay. I contributed a short story to their program, titled Block Quotes. If you wanna go, better go early - lines are kuh-ray-zee.

3. Campaign City

I actually designed a poster for Evil Empire as part of their Campaign City: Life in Posters exhibition. It's showing at the National Library, Level 11, from 9 January onwards - huge light boxes on the walls, each featuring an artist's reinterpretation of one of the PAP's propaganda campaigns! I worked with the Speak Good English campaign in a way that celebrates local experimental writing.

4. Choice Cuts

And there's actually already an exhibition I'm involved in on show, at Jurong Regional Library, called Choice Cuts - a little installation by my friends at Studio Kaleido that gives you personal recommendations for Singapore literature, by Singaporean writers. As you can see, I'm featured as a recommender (not as a recommendee), as are Boey Kim Cheng, Wena Poon, Enoch Ng, etc, etc. (Gwee Li Sui is both a recommender and a -dee, ugh.)

The show will move from library to library until it opens in Central Lending around March. I should be able to make it for that launch.

That's all for now. I think!

Archiving Cane/Microcosmos

I´ve written material for two art exhibitions opening this Thursday. Sadly, I can´t attend either of them because I´m in Scandinavia - I´m a blogger for the ILGA Conference in Stockholm next week!

This means you´ll have to attend in my stead. Pop over to the Substation for Loo Zihan´s Archiving Cane, which I´ve written an essay for:

Archiving Cane

Date: Fri 7 Dec to Sun 16 Dec

Venue: The Substation

Reception: Thu 6 Dec, 7:30pmPlease note that this exhibition contains material that is rated R21

Then get a cab to Goodman Arts Centre for Amanda Lee´s Microcosmos, a photography exhibition for which writers like myself have written poetry and stories inspired by the art:

Microcosmos

Date: Fri 7 Dec to Wed 12 Dec

Venue: Goodman Arts Centre, Block B, 90 Goodman Road

Reception: Thu 6 Dec, 8pm to 10:30pm

Click the links if you want to find out more!

But Is the Book Better?: Eating Air, Wed 28 Nov, Sat 1 Dec

I'm off to the Georgetown Literary Festival in a bit, but before I do that, I'd like to advertise a little something I've got coming up. It's a screening of the fabulous 1999 motorcycle gangster movie at the Arts House, after which there'll be a talk about my novelisation thereof!

But Is the Book Better?: Eating Air
Venue: Screening Room, the Arts House
Date/Time: 28 Nov, 7.30pm; 1 Dec, 3pm.
Free admission
(on a first-come-first-served basis)

My talkback is on 1 December, with director Jasmine Ng! More info here.

'Tis the Festive Season!

And no, I don't mean Hari Raya Haji and Deepavali. I'm talking about the Singapore Writers Festival and the Georgetown Literary Festival!

Just bussed back from the SWF opening, in fact, where Math Paper Press did a twin launch of Alfian Sa'at's The Invisible Manuscript and Cyril Wong's Straw, Sticks, Brick. 

My book, Diary of a Stone Monkey, was supposed to come out too, but alas, there were printing problems. Seems like this is my year of stymied book launches. One of my stories is featured in the Sunday launch of Fish Eats Lion, though. Come, come!

Launch of Fish Eats Lion: New Singaporean Speculative Fiction

Sunday 4 November

4pm-5pm

ilovebooks.com Pavilion, Campus Green, SMU (Singapore Management University)

FREE ADMISSION

Quite a few prominent names are featured in the fest, including Michael Cunningham, Monique Truong, and the author of my Korea book, Shin Kyun-Sook. Will see if I can get interviews and autographs. :)

But, more importantly, I've been invited to Penang!

See that upper left hand corner portrait? That's me! I'm actually being featured in the opening ceremony, where I'll be performing my poetry right next to A. Samad Said and Omar Musa. Can you believe it?

These are the events I'm involved in:

Poetry Workshop with PELLTA and Arts

Friday 23 November

8-9pm

Sekeping Victoria

Writers: Ng Yi-Sheng, Omar Musa and Nii Ayikwey Parkes

FREE ADMISSION

Official Opening Ceremony by Chief Minister of Penang, Y.A.B. Lim Guan Eng

8-9pm

Friday 23 November  and Nii Ayikwey Parkes

Sekeping Victoria

Readings and performances by A. Samad Said, Ng Yi-Sheng and Omar Musa
BY INVITATION ONLY

Poetry Rant: Mad As Hell!

Sunday 25 November

12:30-1:30pm

Sekeping Victoria

Five poets get angry. Watch them get mad - and bad!

Writers: Ng Yi-Sheng, Omar Musa, Alfian Sa'at, Shivani Sivagurunathan and Nii Ayikwey Parkes

Host: Jasmine Low
FREE ADMISSION - seating on first come, first served basis

Reading and Panel Discussion: Taboos or Travesties

Sunday 25 November
2-3pm
Sekeping Victoria
How do writers go about saying the unsayable? How do they deal with issues and themes that may cause scandal and uproar? See how these writers deal with challenging issues that simply need to be said.
Writers: Ng Yi-Sheng, Reggie Baay, Dina Zaman, Linda Christanty and David Van Reybrouck
Moderator: Bernice Chauly
FREE ADMISSION - seating on first come, first served basis

... and then from 3 to 20 December I'll be in Stockholm for the ILGA Conference. More about that later. :)

Singapore/Malaysia Book Launch at Silverfish Books, 5:30pm

Will be speaking at Silverfish Books in Kuala Lumpur this evening, 5:30pm, to promote my translation of "The New Village"! Three books to be promoted, in fact:

1. Robert Yeo’s ROUTES. Robert Yeo, a.k.a Yeo Cheng Chuan, (b.1940, Singapore -), is a poet and playwright, novelist and newspaper columnist on the arts, literary and theatre essayist advocating the establishment of a distinctly Singaporean tradition in writing. He was for many years a lecturer in the National Institute of Education, Nanyang Technological University and was a proponent for the greater inclusion of the study of Singaporean texts in the school curriculum. Poet and critic Aaron Lee has described Yeo as being “the most Singaporean of Singaporean writers”.
2. Dr Wong Yoon Wah’s THE NEW VILLAGE. Wong Yoon Wah (b. 13 August 1941, Perak, Malaysia - ) is one of the few Singaporeans who excel as an international poet, critic and scholar. Prolific in both creative and academic writing, he has published over twenty collections of prose, poetry, and academic writings on Chinese and comparative literature in Chinese or English. For his commitment to promoting literature regionally, he has been awarded the Southeast Asia Write Award (1984), the Cultural Medallion (1986), and the ASEAN Cultural Award (1993).
3. Wong Phui Nam’s THE HIDDEN PAPYRUS OF HEN_TAUI. Wong Phui Nam's poems are regarded as among the best Malaysian ones in English, unsurpassed in their eloquence and linguistic richness. Most of them are contemplative and draw their images from the local landscape. Wong Phui Nam's poetry explores the experience of living in multi-cultural Malaysia. "Before the British set up this country, Malaysia was a totally agrarian society," he says. "Suddenly we get this commercialism and development of plantations to supply a metropolitan power. Even for a writer in Malay, whether he is a Malay or a non-Malay, he has to reinvent the language. All the more so for Indians and Chinese. For a Chinese, when we write in Chinese, we cannot pretend that nothing has happened and try to write Tang poetry. So for us to write in English, we are exiled three times, culturally and spiritually from China, culturally from the indigenous Malay culture, and then writing in English. We cannot claim that it is a tradition. I would say we have appropriated the language. So, in a way, it is a much more interesting medium to work with, to work with the language against the tradition."

Professor Mohammad Quayum, of the International Islamic University of Malaysia, will moderate the event, which will include discussions with regards to the development of Malaysia/Singapore writings in English. 

Venue: Silverfish Books, 

28-1 Jalan Telawi, Bangsar Baru, 

59100 Kuala Lumpur. 

Date: Saturday, 22 September 2012 

Time: 5.30 pm

Admission is free. All welcome, but seats are limited.

Perfection of 10, Thu 13 to Sat 15 Sep

I've got a play coming up! Or perhaps it'd be more accurate to say WE've got a play coming up. I was invited to crazy-experimental director Sean Tobin to be part of a team of ten Singaporean playwrights, each creating a segment of a wacky play marking the Esplanade's tenth anniversary!

Perfection of 10

Thu 13 to Sat 15 Sep, 8pm (additional Sat matinee at 3pm)

Esplande Theatre Studio

Tickets at $25 from SISTIC.

10 established Singapore Playwrights were invited to reflect on their experiences as theatre-makers and their notions of perfection. They then set out to capture a perspective of life on earth, in Singapore and in the theatre, through their own 10 minutes of stage time.

10 stage items from the past productions of 10 established local Theatre companies help create a world in which these characters can reside.

The perfect child from the perfect home, the perfect actor on the perfect stage, in front of the perfect audience, and of course the perfect review. Not to forget perfect relationships, the perfect life, and the perfect death. Can all this be captured in the perfect play?

Are these ‘mirrors of nature’ real or imagined? Archetype or stereotype? Is this biography or fakery? Is this existentialism or entertainment? Comedy of Manners or a Problem Play?

As we join in celebrating Esplanade’s 10th Birthday, we also celebrate the trials and accomplishments of Singapore and its stage, through the intercepting thoughts of 10 well-loved local playwrights and 4 actors collectively asking, “Why do we bother?”

Performed in English with some Mandarin, Malay and dialect, with English surtitles. Suitable for patrons aged 16 years and above.

Performed by Ang Hui Bin, Patricia Mok, Rizman Putra, Tan Shou Chen
Written by Desmond Sim, Ng How Wee, Irfan Kasban, Jason Wee, Jean Tay Kaylene Tan, Li
Xie, Verena Tay, Ng Yi-Sheng & Zizi Azah
Directed by Sean Tobin
Dramaturgy by Low Kee Hong
Produced by Michele Lim
Set Design by Wong Chee Wai
Light Design by Adrian Tan
Costume Design Hayden Ng

There will be a post-show discussion with the artists.